Welcome to Optimism

celebrating 20 years of Nike and Arsenal

Over the last 20 years, Nike has enjoyed a wonderful relationship with Arsenal: 3 Premier League titles. 5 FA Cups. The Invincibles. Ian re-Wright-ing the record. Thierry's Va Va Voom. Need we go on?
 
And over the years, W+K has had the pleasure of marking some special occasions about this great club for Nike. Two of our favourites from times gone by: 
 
'Arsena' to mark 2003-04's extraordinary unbeaten season:
 
Arsenal_historical_
 
And the outrageous 'The quickest route into Europe' to mark Sol Campbell's switch to the red half of North London in 2001:
 
Sol leave Tottenham for Arsenal
  
This year, W+K has worked with Nike to produce a commemorative shirt, following the Club's 2014 FA Cup victory, celebrating the 20 year partnership between the club and the Swoosh. 
 
The shirt, which uses the current 2013-14 home kit as its base, incorporates a glorious medley of iconic Arsenal kits from the past two decades. 
 
Instagram 1024x1024
 
Limited-edition, individually numbered artwork prints of the shirt will be created and sold, with a number available to purchase at Nike's Phenomenal House in London. Phenomenal House will open its doors to the public from 26th-31st May for a unique and action-packed celebration of fearless football. 
 
The shirt itself will also be on display at Phenomenal House from 26th-30th May, then at Nike Town in London from 31st May, before moving to its permanent home in the Arsenal Football Club Museum from 30th June.

W+K at OFFF 2014 – Part One: The Art Director’s View

David Goss, W+K Art Director, writes about his visit to OFFF in Barcelona last weekend:

OFFF. For those of you who don’t know what OFFF is, Here’s a little teaser for you…

 

They call it a 3 day festival of makers, I’d call it a 3 day conference.

There’s no mud, no drugs, no wellies and no rave tent.

It did however have overflowing toilets, poor to no wi-fi, and a huge queue for the (coffee) bar.

So maybe it was a festival.

It’s been going since 2001 and is run by this guy, Hector Ayuso.

001_hector

Hector on why he created OFFF:

“What would happen if you brought the Worlds best creative minds together. Not just the best designers, best artists, or the best potters. But every sort of artist and maker. The answer is OFFF: a festival of creativity.” Sounds great right?

Past speakers have included Stefan SagmeisterJohn MaedaNeville BrodyKyle CooperThe MillDigital KitchenChris MilkPaula ScherRick PoynorErik Spiekermann,  Erik NatzkeZe FrankAlex Trochut, among others.

Cool right?

Well yeah, I guess. if you didn’t already know their work. The problem I had with OFFF, aside from the lack of wi-fi, the overflowing toilets, the huge queue for the coffee bar, and the ratio of boys to girls being 5:1, was that I didn’t really learn a great deal.

Ok. That's a lie.

I did learn a lot.

I learned that ideas come from putting odd things together.

If your reference points are different to others, then guess what, your ideas are going to be different.

We get to interesting ideas by stepping outside our daily thing.

We leave behind what we know for a bit.

So if you code, don’t got to a conference on coding.

If you design, don’t go to a design conference.

So next year I’m heading here… at least they’ll have decent toilet facilities.

002_toilet

I also learned that some people, although great creatives, aren’t great presenters.

Which I am most certainly guilty of.

It doesn’t matter how good your work is, if you can’t stand up in front of people and talk about it, you’re screwed. People zone out.

They check Instagram (if they can get on wi-fi).

This happened with a lot of the talks.

Most of the talks we attended we’re informative, engaging and aesthetically pleasing to the eye.

But lacked any real storytelling.

Hardly anyone shared their thought process.

How they came up with their ideas.

What struggles they came up against.

Their failures. Their learnings

That’s the stuff I wanted to hear about.

That’s interesting.

But sadly it was never really touched upon.

It wasn’t all bad.

There we’re some brilliant speakers.

The ones that stood out were:

People like the legendary American Designer Chip Kidd. He had the audience eating out of the palm of his hand.

He took us through some of his rejected work and why it didn’t get through.

Casey Neistat, the American for whom the New York Times coined the word ‘viral’ after he made this video…

 

Danny Yount and Aaron Becker, the American title designers, took us through the importance of references.

Joshua Davis the American designer/technologist/artist/whatever you want to call him, owned that stage. There’s definitely a theme here.

Americans.

003_america

Americans are just more confident, louder and prouder. Ok, there were some great presentations by non-yanks that went down well too.

The brilliantly mental French directing duo Fleur and Manu exuded confidence.

But their work really does speak for itself.

Sadly Fleur couldn’t be there so Manu held the fort, but really all he had to do was say hello and press play.

 

[video for Gesaffelstein's 'Pursuit' directed by Fleur & Manu]

Erik Spekermann, German typographer with a sense of humour. Yes they do exist.

Erik has created a winch for his library.

I need say no more.

004_ Speikermann

And even a Brit, yes, the effervescent Kate Moross, love or hate her, delivered a colourful and charismatic display of her work like only she can.

And Irish Illustrator and writer Oliver Jeffers. Now the Irish are famous for their story telling, and Oliver didn’t let us down. Also, Oliver’s been living in New York most of his life.

What made these guys memorable was not just what they had to say, but how they said it.

The delivery matters. It always does.

Casey Neistat put it nicely “Ideas are cheap, ideas are easy, I care about execution”.

Rant over.

So what did I take from OFFF?

Go see stuff you don’t understand.

Be more American.

And sign up for a presentation course. 

Loading